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Sight unseen, still locked in its centuries-old chest, the mystery loot is dispatched to Madrid. The case is brought before an international court at the Hague, which sides with Spain.
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But the moment they haul it aboard ship, it’s seized by tipped-off Spanish customs agents, having been exhumed from that nation’s territorial waters. which crusty Walter (Liam Cunningham) has spent three decades searching for. Some 365 years later, a crew of deep-diving salvagers find that lost booty. theaters as well as digital and on demand March 26.Ī short prologue introduces the notion of treasure sunk to the bottom of the Atlantic in 1645, amid many sea battles between England’s Sir Francis Drake and the Spanish Armada. Saban Films is releasing the primarily English-language feature to U.S. But anyone desiring more from a heist movie than the genre’s familiar conventions professionally executed will find “The Vault” a bit empty. Viewers who really love this sort of thing may get caught up in the procedural aspects of the story anyway. It’s just that a caper of this type needs tense set pieces, surprising twists, idiosyncratic characters or charismatic stars - ideally, all the above - to distinguish itself, and this one falls short in all those departments. There’s nothing really wrong with this glossy tale of a “mission impossible” raid on a heavily fortified Madrid bank to retrieve treasure, as slickly directed by Jaume Balaguero of the “” series. release, Spanish heist “ The Vault” stubbornly remains one of those movies you know you’ll be forgetting almost as soon as you finish watching it. But using the final games of the 2010 World Cup as backdrop is a smart embellishment, and playing the Sex Pistols’ “God Save the Queen” at the end is a timely touch.Retitled from the even more indistinct “Way Down” for U.S. We all know how this is going to turn out. Before the end, you may even find yourself feeling sorry for head of security Gustavo (veteran Jose Coronado). You have to be pretty clever to assemble as many nick-of-time escapes and sleight of hand presto-changeos. But “The Vault” has genuine suspense to spare, even if a lot of it is familiar. Taking a possible cue from the old period drama “Land of the Pharaohs,” the bank’s vault is designed to trap invaders and fill with water if anyone steps inside, a detail I found a bit soggy, if you know what I mean. The film is mostly in English along with Spanish dialogue with subtitles. In opening scenes, a deep sea scuba-diving James removes his equipment to “free dive” into an old sunken shipwreck, giving me serious jitters. If you don’t like being caught in tight spaces, you may have an issue with this movie. It’s “Raiders of the Lost Ark” meets “Mission Impossible,” although I can’t for the life of me figure out how no one sees three people zip-lining from a nearby rooftop to the top of the bank. Freddie Highmore in a scene from THE VAULT But it is fun to watch Thom try to go all MacGyver on the knotty challenges. The budding romance between brainiac Thom and cunning Lorraine lacks chemistry. Where do you get 500 liters of liquid nitrogen in a hurry? No problema, says Simon. There is also a very bad wig for Berges-Frisbey to wear. The screenplay by Rowan Athale (“The Rise”), Michel Gaztambide and three other credited writers is nothing if not chockablock with engineering problems for Thom to solve, dark tunnels to search, codes to unlock, keys to copy using a 3D printer, numbers of armed guards and disguises. Inside its vault, which was built 70 years earlier, is a treasure of “privateer” Sir Francis Drake, including three coins engraved with coordinates leading to another even larger cache. An eclectic creation with classical facades, “sober plinths,” a Carrara marble staircase, collection of paintings by Goya and others and labyrinthine corridors, the bank is a virtual character in the film.